DOUBLE CDR - 2002 - PIPKIN - UK




MISCELLANY

Disc 1
 firmer terror (2000)
 baby tunnel (1997)
 viva! raudive! (2000) - assisted by fizzy - backing voice
 hennaed hand of glory ii (2000)
 who is glenn larcombe? (1994)
 simple (1996)
 haulage (1993) - assisted by ian fuller - double bass
 cheap red plonk (1989)
 brazil (2001)
 mal de mer (1997)
 guantanamera (2001)
 love song {version} (2001)
 untitled (2000)

Disc 2
 bendy building (1998)
 bulbs of the vestibule iv (2000)
 words {full length version} (2002)
 pronged baby (1998)
 sinead (dead in a ditch) (1995)
 afip (1994)
 the doors are all closed (1990)
 the width/the girth (1999) -
(assisted by will foster - bass and acoustic guitar)
 hennaed hand of glory i (2000)
 untitled (2000)
 piano (2001)
 bulbs of the vestibule i (2000)
 find a new husband (1984)

REVIEWS

Vital Weekly

More from Andrew Liles, whose 'An Un World' was reviewed a couple of weeks back. His self-released, double CDR is a historical document and deals with the development of Liles since 1984 up to this year. It has many pieces that were on his previous CDR only releases (which he started to do in 1997, before that date there are no releases, no vinyl or cassettes, so it seems that he shelved his pieces. The majority of the pieces are however from the recent 3 years. There is a track from 1984, one from 1989, one from 1990, two from 1994 but eight from 2000 for instance. Unlike 'An Un World', Liles works less with musique concrete like elements, and also less with environmental recordings and deals more ambient synth patterns (the old pieces) and computer processings (the newer pieces). On the second CD he seems to be going more into excursions with rhythm, not really techno but more a driving, almost krautrocky NEU! rhythm (for instance in 'The Width/The Girth'). Nice stuff, but it works less then his other music. But altogether it offers a nice overview of the man's career, and together with 'An Un World' it's something to keep an eye open for future works (to be released by Infraction and Macrophonies).



 

 

 
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