'THE PROGENY OF FLIES'
(Tres Muscae Consummunt Cadaver Equi Aeque Cito Ac Leo)
TRACK LISTING
·Eggs
.1st to 3rd Instar
.Pupa
.Metamorphosis
REVIEWS
Vital Weekly
I have been a fan of the works of Mr. Liles and Mr. Menche for a while
now, so this CD of their first ever collaboration is most welcome. And
it looks great; packed in a hard carton slightly oversized CD sleeve with
typical Liles-artwork. The 65+ minutes that form The progeny Of Flies
are divided into 4 parts. Opener Eggs (signifying the first stage of the
fly life cycle) features the now typical Liles-sounds augmented by Menche's
higher and harsher frequencies. In one word beautiful. The second track
1st To 3rd Instar features low frequency pulses before subtle piano chords
(and reverbed pedals) set in. Again full marks to Liles and Menche. "Pupar"
(the third track) starts off with a horse's neigh. After that surprising
intro we're in a world filled with bass tones with plucked strings and
percussive elements. Closing track Metamorphoses (to end the fly theme)
features a low, almost prehistoric growl and Menche's more noisy elements
which builds up to a climax. The track ends with
piano and the buzzing sound of a fly. This CD, subtitled "tres muscae
conummunt cadaver equi aeque cito ac leo", which loosely and very
cryptically translates into "three muscular complete corpses indeed
quick justice and lion" is a gorgeous piece of work; beautiful, restrained
and highly recommended! (FK)
Cyclic Defrost
Magazine
‘When the going gets weird, the weird turn pro…’ - that
saying might well apply to this bizarre collaboration between Andrew Liles
and Daniel Menche. Anyone up for a dark ambient concept album about the
life-cycle of flies? Don’t all rush at once…
Andrew Liles is an esoteric production maestro based in Brighton, who
has worked with the likes of Nurse With Wound and Current 93, and Daniel
Menche is an established noise musician from Portland, and this is their
first collaboration. Separately, Liles and Menche have released - well,
a lot of albums - I gave up counting them actually… But this is
no mere soulless foray into the avant-garde. This is 100% genuine, straight-up,
satisfaction-guaranteed-or-your-money-back weirdness, with a real artistry
to it. The Progeny of Flies plays like the best soundtrack to the best
film of the best Murakami novel that hasn’t yet been written.
You want sensurround drones? Tick. You want ghostly piano notes? Tick.
You want the odd buzzing fly sound? Uh, tick. It’s all here - and
then some. This is a great record, bursting with oneiric strangeness and
somnambulistic intent. Deserves to sell more copies than Coldplay.
Ewan Burke
Re:Gen
Magazine
Posted: Tuesday, July 08, 2008
By: Matthew Johnson
Assistant Editor
Subtitled "Tres Muscae Consummunt Cadaver Equi Aeque Cito ac Leo,"
a Latin quotation by Swedish biologist Carl Linnaeus that translates to
"The progeny of three flies can consume a dead horse more quickly
than a lion can," this collaboration between experimental composers
Andrew Liles and Daniel Menche is about as gruesome and morbid as its
title suggests. With four tracks mirroring the four stages of the titular
insect's life cycle, The Progeny of Flies begins appropriately enough
with "Eggs," a minimalist ambient arrangement of drones in minor
key harmonies; as the subtle drones are gradually overtaken by buzzing
and distortion, there's a feeling of ominous potential, a growing sense
of imminent activity that represents the hatching of the maggots that
take center stage on "1st to 3rd Instar" ("instar"
being the scientific term for the developmental stages of arthropod larvae
between moults and prior to sexual maturity). This track is perhaps the
album's most abstract, and the most difficult to connect with its subject
matter; it's not immediately obvious how the soft ambience and admittedly
morbid piano keys tie directly with the image of soft-bodied fly larvae,
though the muffled thuds do seem to make something of a parallel with
the blind hungry motion of maggots. Conversely, "Pupa" begins
with a frantic neighing that serves as an unexpectedly literal reminder
of the album's subtitle, though it quickly returns to quieter atmospheres.
Like "Eggs," this track represents a more quiescent stage of
insect life, when the maggots cocoon themselves before emerging as fully-grown
flies, but the potential for pestilence seems even stronger here, with
loud hollow-sounding dulcimer plucking that serves as a jarring reminder
of the intense biological activity taking place within the seemingly placid
pupal form. "Metamorphosis" deals with that biological activity
directly, with buzzing, string drones, and muffled percussion coming together
in concert like the biological systems of an animal, ending with another
literal parallel to the album's title in the form of amplified buzzing
wings. Alternating back and forth between ambient symbolism and more obvious
sonic synecdoche, The Progeny of Flies is an effective portrait of nature
at its most unapologetically grisly, but fans of Liles and Menche's other
dark experimental compositions are sure to appreciate this one as well.
Judas Kiss
“The Progeny of Flies” brings together two giants of the experimental
electronic music scene. Both have consistent, regular and ongoing release
schedules, either working on their own music or as part of other projects
and tour continuously. Andrew Liles has worked with a long list of other
artists including Current 93, Rose McDowall, Bass Communion, Nurse with
Wound, The Hafler Trio, Joolie Wood, Edward Ka-spel and Jonathan Coleclough
to name just a few. Daniel Menche has long been an experimental musician
who focuses on creating beauty from chaotic sound comprising of drones,
tones and strange electronic sounds. Liles work falls mostly on the ambient
and rhythmic side of electronics where an attention to the subtleties
of sound and the atmosphere it creates is all important. It is this diversity
of approach that makes this collaboration such an exciting prospect. Consisting
of four lengthy tracks, “The Progeny of Flies” is based around
the early life cycle of a fly from egg to insect. Tracks range from just
under 14 minutes to 22 minutes in length and the first edition of 700
copies comes packaged in a deluxe book bound sleeve.
“Eggs” starts out with ghostly almost choral tones sweeping
around in the distance while undulating tones rise and fall and a low
drone rumbles discretely by, the mood heightening as the track progresses.
It could easily represent the first stage in the creation of the insect
progeny, such is the subtlety of the sound and the way it hints at the
formation of life, the intensity of the droning background very slowly
building and becoming more assertive. “1st to 3rd Instar”
is even more subtle in tone, utilising more space and quiet, carefully
placed sounds, gentle piano keys and a discrete but ever-present heartbeat
like thump indicating a progression in the formation of the insect as
the process slowly continues. After “Pupa” delivers an immediate
shock right from the start it then presents a darker mood, the strings
are metallic, slightly harsh and aggressive and the entire atmosphere
is much tenser as though waiting for something unpleasant to happen. When
it arrives, the mood gets darker still, otherworldly moans are emphasised
by deep rumbling drones and slow heaving tones. “Metamorphosis”
closes the album with the sound of the fly emerging from the safety of
its catalyst, the urgency of the music becomes more apparent and layered
whirs of electronic string-like sounds sweep in to represent the buzzing
of insect wings and the swarming of flies as they emerge from their incubation.
As you might expect from such a pairing, “The Progeny of Flies”
is a wonderful collaboration of two accomplished and respected artists
in their field. Generally combining the intricate ambient subtleties of
Liles work with the louder sound crafting elements of Menche’s output,
the album benefits from their considerable experience in the creation
of experimental electronic music. Dark and intensely atmospheric but accurately
realised and executed as you would expect from two artists of this standing.
DANIEL MENCHE & ANDREW LILES
'THE PROGENY OF FLIES'
(Tres Muscae Consummunt Cadaver Equi Aeque Cito Ac Leo)
CD - Beta-latam Ring Records - 2008 - (USA)
Brainwashed
Written by Matthew
Amundsen
Sunday, 13 July 2008
cover image Prolific artists Andrew Liles and Daniel Menche combine forces
to tackle the subject of flies. Divided into four tracks named for the
stages of a fly's life cycle, Liles and Menche blend their talents in
a heady mix of drones and subtle textures, with vaguely melodic underpinnings.
The album has enough unpredictability to make it both mystifying and alluring
while still playing to the artists' respective strengths.
"Eggs"
opens with heavy drones that are soon balanced by eerie, slight melodies
smeared across the distant background. It's a haunting or at the very
least mysterious effect, and the sly introduction of other textures, like
faint distortion or mechanical cycles, increases the tension as the track
progresses. Heavier bass-wise but overall quieter "1st to 3rd Instar"
is also dotted with patches of Liles' piano that aren't a whole lot different
from the various "Anhedonia" riffs from his Vortex Vault series.
Juxtaposed against whisper-level drones and occasional machine thumps,
they sound lonely and bleak. This track is the album's most introspective
and comes like the calm before a storm.
The action picks
up on "Pupa" with a horse's anguished neigh. It's brief but
startling enough to reawaken ears that may have grown dormant over the
course of the last track. Bouncing bass tones and a tinny plucked melody
lead into metallic overtones, submerged pounding, and faintly buzzing
strings that hint of menace. Things come to a head with the finale "Metamorphosis."
Not only do the buzzing strings return more agitated than ever, high-pitched
screeches like a cacophony of punctured brass instruments grow in a fierce
chorus. There's a brief respite before, at last, the flies themselves
make an appearance before fading into the void from which they had come.
Liles and Menche
make the most of this collaboration, imbuing it with their unique sensibilities
to give the album the effective impression of a narrative arc. While this
album skirts around territory visited in some of their other work, here
the combination of their skills entrances the ear in an entirely different
way altogether.
Babysue
The first collaboration between experimental artists Andrew Liles and
Daniel Menche recorded from 2006 to 2007 in Portland, Oregon. The Progeny
of Flies is, not surprisingly, an odd spin. The disc features otherworldly
experimental sound collages that are subtle and hypnotic. The album is
divided into four parts: "Eggs," "1st to 3rd Instar,"
"Pupa," and "Metamorphosis." Somehow or another, these
two fellows have managed to effectively present sounds that seem to embody
the world of insects (?). This music is extraordinarily esoteric and peculiar...not
at all intended for the typical music fan. Note that the first 700 copies
are encased in a deluxe book bound case. We have become huge fans of the
Beta-lactam Ring label over the past few months...and The Progeny of Flies
is an excellent example of why we are now so passionately hypnotized.
This is a pure and unique recording that sounds like no other. An easy
TOP PICK for this month... (Rating: 5+++)
Musique
Machine
The Progeny of Flies finds Liles and Menche presenting a heady, atmospheric
and disturbed suite of songs built around darkly hued ambient tone, sustained
organ dread, creepy and sinister looped subtle rhythmic elements and simple
yet damn creepy piano notation.
The album is
built around 5 longish tracks lasting nearon 70 minutes in all, First
up is the track Eggs which as it title suggests does bring to mind the
slow laying of fly eggs on decaying flesh, faeces and rot- with seemingly
the rapidity of laying growing as the track builds up. The track is built
around hypnotic gothic horror like organ tones and sustains that really
seem to worm there way into you mind with their simmering sinister harmonic
air. Next up is 1st to 3rd instar which starts off with looped knocking
& brooding buoy type rhythmic tone and deep bass death hits- Menche
really building up such a tangible feeling of decay, fear and menace.
At about 5 minute mark Liles appears making you jump out of your skin
with a series of simply yet goose bump inducing skeletal piano notes that
are haunting, gothic and just slightly discordant. With Menche continuing
his dread filled march underneath- really very creepy, yet at the same
time oddly beautiful.
Next up is the
track Pupa which starts off with an alarming horse like sound before opening
up into bassy and gloomy rhythmic revolutions with the note sequence from
1st to 3rd instar returning but in a more jarring/sharp manner feeling
like the melody is been bloody and painful yanked, ripped and stabbed
from the instrument. At about midway point this element drops out and
the pair build up a heady, shadowy mix of didgeridoo, gong, grim sinning
bowl and sawing violin tones. Lastly we have Metamorphosis which starts
with rhythmic textures that could well be internal piano scapes and saws-over
this a unnerving tapestry of scratching, feeding, sinister purring is
built along with gong tones, before a building pitch black cinematic horn/
string tone mix enters that reachers quite penetrating and powerful heights.
Towards the end Liles returns for a few runs of atmospheric piano playing
before the feasting and brooding sustain feel returns once more and it
exits with fly buzzing tone. A great climatic end to the suite of songs.
The album is
packed in a simply yet effective white on black stiff card folder with
a circles drawings of fly bodies. The Progeny of Flies is one of the most
hypotonic, darkly compelling and at times downright terrifying hours worth
of sonic atmospher that you’ll sit through this year, but you’ll
have act fairly quickly to get a copy it as it’s only ltd to 500
copies.
Side
Line
Both Andrew
Liles and Daniel Menche are respected experimental musicians in their
own right. Liles has worked with a long list of artists including Current
93, Nurse with Wound, The Hafler Trio and Edward Ka-Spel. His music focuses
largely on the darker aspects of ambient and rhythmic electronics. Menche
on the other hand creates beauty from chaos in the form of drones, tones
and assorted electronic shards of sound. Both are prolific and have extensive
back catalogues and busy release schedules. A collaboration between the
two is an exciting prospect for those familiar with their work. “The
Progeny of Flies” is, as the title suggests, an electronic interpretation
of the life cycle of a fly from an egg to its first flight. Over the duration
of four lengthy musical pieces, each representing a stage in the life
cycle, Liles and Menche sonically represent the creation of a tiny life
by mixing Liles penchant for dark atmospheres with Menche’s noisier
and more abrasive elements. “Eggs” is full of atmospheric
subtleties, representing the earliest stages of incubation where life
signs are small but the egg is starting to grow. The mood is subtler still
throughout “1st to 3rd Instar” where the sounds are sparse
and the mood delicate but heavy on atmosphere. “Pupa” is darker
and more abrasive with metallic strings and a tense mood perhaps depicting
the more obvious signs of growth and activity of the life within. Closing
the album is “Metamorphosis”, the final stage that sees the
emergence of the recognisable form of the fly. The urgency of the music
becomes more apparent and the buzzing of the fly in flight is the focus
with the hum of the swarm buzzing all around. “The Progeny of Flies”
is beautifully crafted with apparent care and consideration. Each piece
has its role and meaning to the album as a whole and Liles and Menche
execute it perfectly. Paul Lloyd